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Theodore Seuss Geisel devoted his early career to creating advertising campaigns for Standard Oil – where for more than 15 years he developed the skills that would redefine children’s literature. This Standard Oil Company “Essolube” oil charge card was issued between 1930 and 1940.

The Dr. Seuss Collection of the Mandeville Special Collections Library at the University of California, San Diego notes that the future Dr. Seuss, “hawked such diverse goods as ball bearings, radio promotional spots, beer, and sugar.” The library preserves examples of his Standard Oil artwork, including this 1932 gasoline advertisement.

Ted Geisel’s unique critters populated Standard Oil advertisements for “Flit,” once a popular bug spray.

About 30 years before the Grinch stole Christmas, Dr. Seuss’ strange but wonderful critters worked for Standard Oil of New Jersey.

In the January 14, 1928, issue of New York City’s Judge magazine, Theodore Seuss Geisel first introduced America to one of the many characters inhabiting his imaginative menagerie.

Dr. Seuss later said his experience working at Standard Oil “taught me conciseness and how to marry pictures with words.”

In the cartoon that launched his career, Geisel drew a peculiar dragon inside a castle.  “Flit,” was a popular bug spray of the day – especially against flies and mosquitoes. It was one of Standard Oil Company’s many consumer products derived from petroleum.

Late in 1927, Standard Oil’s growing advertising department, which had focused on sales of Standard and Esso gasolines, lubricating oil, fuel oil and asphalt, reorganized to promote other products, according to author Alfred Chandler Jr.

“Specialities, such as Nujol, Flit, Mistol, and other petroleum by-products that could not be effectively sold through the department’s sales organization, were combined in a separate subsidiary – Stanco,” noted Chandler in his 1962 book, Strategy and Structure: Chapters in the History of the American Industrial Enterprise.

“Quick, Henry, the Flit!”

Geisel’s fortuitous bug-spray cartoon depicted a medieval knight in his bed, facing a dragon who had invaded his room, and lamenting, “Darn it all, another dragon. And just after I’d sprayed the whole castle with Flit.”

According to the curators of the Dr. Seuss Collection at the University of California, San Diego, an anecdote in Judith and Neil Morgan’s 1995 book Dr. Seuss and Mr. Geisel, the wife of the ad executive who handled the Standard Oil account saw the dragon cartoon. Read the rest of this entry »

 

Veteran oilman George W. Strake Sr. made a major discovery eight miles southeast of Conroe, Texas, in December 1931. His wildcat well would prove historic in many ways.

Although the Conroe well’s producing sands proved to be dangerously gas-charged, shallow and unstable, the giant oil field – the third largest in the United States at the time - soon had 60 successful wells producing more than 65,000 of barrels of oil a day. The region north of Houston boomed as the Great Depression worsened.

Disaster came in January 1933 when one of the wells blew out and erupted into flame. The runaway well cratered – completely swallowing nearby drilling rigs. Read the rest of this entry »

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Oklahoma Historical Society Annual Meeting

“Music and Folklore from the Oklahoma Oil Patch” is among the planned sessions when members of the Oklahoma Historical Society gather April 18-20, 2012, in Miami, Oklahoma.

Opened in 1929 as a vaudeville theatre and movie palace, the “Coleman Theatre Beautiful” of Miami, Oklahoma, has never been “dark” since. It will host Oklahoma Historical Society members in April.

Educational sessions and evening events will take place at the elegant Coleman Theatre, according to Annual Meeting Committee Chair Leonard Logan.

“The theme of the annual meeting this year is Crossroads of Creativity: The Impact of Oklahoma on Popular Culture,” Logan explains. “Festivities will begin Wednesday evening with a Coffeehouse Concert at the Coleman Theatre featuring Mason Williams and a host of outstanding musicians who were prominent in the folk music scene as experienced in coffeehouses in Oklahoma and throughout the nation in the 1950s.”

Program sessions on Thursday, April 19, and Friday, April 20, will feature presentations on topics such as “The Image of American Indians in Movies and Popular Culture, Images of Oklahoma in Popular Culture, The Coffeehouse Era in Oklahoma, Impact of Oklahomans on Images of the American West, Music Festivals and Circuses in Rural Oklahoma, Oklahoma’s  Contributions to Jazz and Blues, Oklahoma Authors and Cartoonists  - and Music and Folklore from the Oklahoma Oil Patch. Read the rest of this entry »